Monday, December 29, 2008
New Year's Eve Parties
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Rhymesayers Entertainment New Year's Eve Party
Featuring: Eyedea and Abilities and special surprise guests
7th Street Entry
$15/18+/9 pm
Wanna see what might be in store? Check Eyedea freestyling with Slug a few years back:
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Trama Presents: Glow in the Dinkytowner
Featuring: Trama and special guests
The Dinkytowner
$10/21+/9 pm
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All Inclusive New Year's Eve
Featuring: Hooker and Blow and The Alarmists
Fine Line Music Cafe
$50 adv $6o day off (includes all drinks and White Castle at Midnight)/21+/8 pm
Twin Cities all-star band Hookers and Blow features members of The Honeydogs and Rhythm Jones, this is sure to be a crazy night.
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New Year's Wild Eve
Featuring: Mark Mallman, E.L.nO, and Lucy Michelle and the Velvet Lapelles
The Varsity
$12/18+/8 pm
Check out this mini-documentary on Mallman for more info:
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New Year's Eve
Featuring: Vampire Hands as THE ROLLING STONES, Daughters of the Sun as LED ZEPPLIN, and Stnnng as JOHN SPENCER BLUES EXPLOSION
Turf Club
$7/21+/9 pm
That just sounds badass to me.
Thursday, December 25, 2008
Sunday, December 21, 2008
The Tallest Man on Earth
Do yourself a favor and check out The Tallest Man on Earth.
Website: http://www.thetallestmanonearth.se/
Myspace: http://www.myspace.com/thetallestmanonearth
Bon Iver Show, New EP
The changes that are made to the songs in the live set are one of the things that impresses me about Bon Iver. It would be very easy to simply play the songs as they were played on the recording, but Vernon doesn't seem content to do that. He is aware that the record came about under unique circumstances and the recording reflects that, so he simply moves past that and gives the songs a new uniqueness in a live setting. And I'm sure they're more fun to play that way, as well. The group explores more experimental directions in the songs, allowing space for atmospherics and almost-solos, though the band never slips into that dangerous territory.
As a musician myself, I appreciated how connected Vernon was with the rest of his band. During the experimental moments of the songs he often turned to the other musicians onstage to make sure he was with them and they were with him. I've heard people say that they think he should play to the audience more, but I appreciate his devotion to making good music by being a good musician. Vernon has become quite a celebrity to those who know him, but it doesn't appear to have gone to his head. He was genuinely excited to be playing a show in Wisconsin, his home state, and was excited about the fact that members of his extended family were in the audience. He related to us that the song "For Emma" was written after members of this family had visited him at the hunting cabin he wrote the record For Emma in, and proceeded to dedicate the song to them. Remaining humble while in the position Vernon is sure to be a challenge, but it appears that he is handling it well, and I applaud him for it.
The EP will be out on January 2oth, though it was available at the show on Friday. I'm very impressed with the growth. The recording quality is slightly better, and the songs are a little more filled out. The result is that they sound like the next step in Bon Iver's inevitable rise to greatness. Gringo already reported on the details. Check out the post here. I'm excited to hear what the next record sounds like.
Bon Iver:
Website: http://www.boniver.org/
Myspace: http://www.myspace.com/boniver
Saturday, December 20, 2008
New Record, Tour from William Elliott Whitmore
More news. William Elliott Whitmore is releasing a new record in February. Actually, it’s coming out on the same day as Alela Diane’s new record (February 17th). Titled Animals in the Dark, it’s sure to be a wonderful set of songs. Whitmore, who is thirty this year, has a voice that sounds like the blues musicians of yore. Whitmore is a storyteller, first and foremost, so expect Animals to have a host of interesting characters.
Whitmore is also on tour all of January. The dates are below.
- 1/9 - The Fillmore - Detroit, Michigan
- 1/10 - Town Ballroom - Buffalo, New York
- 1/11 - Middle East - Cambridge, Massachusetts
- 1/12 - The Bowrey Ballroom - New York City, New York
- 1/13 - The Bowrey Ballroom - New York City, New York
- 1/14 - BlackCat - Washington, D.C.
- 1/15 - Trocadero - Philadelphia, Pennsylvania
- 1/17 - Rock Island Brewing Company - Rock Island, Illinois
- 1/23 - Varsity Theatre - Minneapolis, Minnesota
- 1/24 - Waiting Room Lounge - Omaha, Nebraska
- 1/25 - Bluebird Theatre - Denver, Colorado
- 1/27 - Slim's - San Fransisco, California
- 1/28 - El Rey - Los Angeles, California
William Elliott Whitmore:
MySpace: http://www.myspace.com/williamewhitmore
Website: http://www.williamelliottwhitmore.com
Thursday, December 18, 2008
Laura Stevenson: A Record
I only recently found out about Laura Stevenson, but I'm glad I did. Her first record just came out via "the first ever donation based record label," Quote Unquote Records. The record, titled A Record, came out on October 29th to almost no fanfare. There was a banner on the Quote Unquote Records homepage (there still is, actually) and Stevenson's myspace mentioned it, but that was it as far as promotion, which is a shame because the record is wonderful.
The lead track, "Baby Bones," sounds like something that Alela Diane would write (see previous post for more on Diane), but with a clearer voice. When the trumpets and percussion kick in, however, I can't help but be reminded of a female-fronted Neutral Milk Hotel. That influence is especially strong in the track "Landslide Song/The Dig." Beginning with a quick count off, the song is a low-fi burst that wouldn’t sound out of place on NMH's In the Aeroplane Over the Sea.
Stevenson's strength, though, is the softer song. "The Pretty One," "Nervous Rex" and "A Shine to It" are by far the strongest songs on the record, and "A Shine to It" is easily one of the best songs I've heard all year. Stevenson's voice and guitar work complement the words and the melody perfectly. The harmonies on all three of the songs listed above stand out as being a strong aspect of Stevenson's recorded sound. She's clearly a talented songwriter with fantastic instincts.
My only complaint is that there are only eight tracks on the record, leading me to believe that An EP would be a better title than A Record. Regardless, this is a fantastic set of songs and I encourage you to check them out. I also encourage you to donate to the label so more artists like Stevenson can release music with them.
http://www.myspace.com/laurastevenson
New Record, Shows from Alela Diane
I mention all of this because Diane has a new record coming out on February 17th called To Be Still. Diane has said that on the new record she experimented much more with instrumentation and percussion. Judging by the tracks Diane has on her myspace, the added instrumentation is a good thing. Check out the Daytrotter version of "White As Diamonds" and then listen to the version on myspace: the differences are striking, but wonderful. You can preorder the album on either CD or vinyl from Beggars Group USA, here.
In addition to all of this, Diane will be on tour starting February and going through mid-April. The US and Canadian dates are below. For the European dates, see her myspace page. Note that her first show after the release of the record is right here in Minneapolis!
- 2/18 - Cedar Cultural Centre - Minneapolis, Minnesota
- 2/19 - Empty Bottle - Chicago, Illinois
- 2/20 - Magic Stick - Detroit, Michigan
- 2/21 - Horseshoe Tavern - Toronto, Canada
- 2/22 - La Sala Rosa - Montreal
- 2/24 - Bug Jar - Rochester, New York
- 2/25 - Pearl Street Nightclub - Northampton, Massachusetts
- 2/26 - Paradise - Boston, Massachusetts
- 2/27 - Bowery Ballroom - New York City, New York
- 2/28 - Music Hall of Williamsburg - Brooklyn, New York
- 3/1 - First Unitarian Church - Philadelphia, Pennsylvania
- 3/2 - Black Cat - Washington, D.C.
- 3/4 - 40 Watt Club - Athens, Georgia
- 3/5 - Orange Peel - Ashville, North Carolina
- 3/6 - Mercy Lounge - Nashville, Tennessee
- 3/7 - The Bottle Tree - Birmingham, Alabama
- 3/8 - Hi-Tone Cafe - Memphis, Tennessee
- 3/9 - The Opolis - Norman, Oklahoma
- 3/10 - The Jackpot Saloon - Lawrence, Kansas
- 3/12 - Hi Dive - Denver, Colorado
- 3/13 - Kilby Court - Salt Lake City, Utah
Myspace: http://www.myspace.com/alelamusic
Website: http://www.aleladiane.com/
Blog: http://aleladiane.blogspot.com/
Tuesday, December 16, 2008
Free Mash-Up Album
For a taste of their style, check out the video for "Funk Terrorist" below.
In Case You Haven't Heard
In honor of the upcoming release, here are some of my favorite YouTube videos of Justin Vernon & Company.
"For Emma, Forever Ago (A capella)"
"Wolves I & II" (A thorough viewer may notice both contributers to this blog in the front row)
"Babys"
"Skinny Love"
Monday, December 15, 2008
New P.O.S. Track
As Mr. Troubadour reported, Minneapolis rapper and Doomtree member P.O.S. has his third solo disc coming out on February 3rd of '09. It's just one of the many albums we here at Mockingbird are looking forward to in the coming year. But for those of you who are itching to get a listen (perhaps still high on you Blowout Buzz), Rhymesayers has released a track free for your eager ears. Find it at the top of this post.
P.S. Fellow Doomtree-ers Lazerbeak and Mike Mictlan have digitally released the instrumental version of their 2008 album Hand Over Fist. Snatch that on iTunes only. Do it.
Wednesday, December 10, 2008
Not Sure How I Feel About These
Twin Cities favorites Cloud Cult have their own eSurance commercial. I don't want to hear cries of sell out. Cloud Cult have done it real their entire career and, though frontman Craig Minowa at one point announced that this may be the final Cloud Cult album, he has since prescribed to a more optimistic look.
That's right, Mr. Everywhere Lil Wayne has a documentary coming out about his life. His quotes about rapping on his porch as a kid say it all. Take a listen.
The new Kanye in general. Parts of me still like it, other parts not so much. Maybe it's my horrible addiction to poppy dance music, maybe it's actually good. I don't know.
Building Better Bombs on Tour
- 12/11 - Turf Club - St. Paul, Minnesota
- 12/12 - Ronny's - Chicago, Illinois
- 12/13 - Garfield Art Works - Pittsburgh, Pennsylvania
- 12/14 - 941 Theater - Philadelphia, Pennsylvania
- 12/15 - Oasis Pub - New London, Connecticut
- 12/16 - Fontana's - New York City, New York
- 12/17 - Mars - Providence, Rhode Island
- 12/18 - Death By Audio - Brooklyn, New York
- 12/19 - The Summit - Columbus, Ohio
- 12/20 - The Cinemat - Bloomington, Indiana
- 12/21 - Frequency - Madison, Wisconsin
BBB also have two shows lined up in mid-January:
- 1/9 - Haunted Basement - Des Moines, Iowa
- 1/10 - Nutty's - Sioux Falls, South Dakota
Tuesday, December 9, 2008
New Song from Breanne Düren
All of this is relevant for two reasons. The first is that her album may well make my top ten best albums of 2oo8 list - and that's not because she's an acquaintance of mine. The other reason is that she just released a new holiday-themed track via her myspace. It's great. Check it it out here.
More Twin Cities Hip Hop
The Doomtree Blowout 4 was this past Saturday. I was there, near the front of the stage. It was utterly mind boggling. I'm sorry to those who missed it. If you did miss it, however, fret not. The crew released a DVD of the 2nd Doomtree Blowout. You can order it here.
Heiruspecs has a new record out now. Get it at Fifth Element or the Electric Fetus, both located in Minneapolis. It's sure to be great. The release show is on Saturday and that is also sure to be great. That's taking place at the First Avenue Mainroom. All ages, doors at 6.
What gringo didn't mention in his post on Twin Cities hip hop is that Doomtree member P.O.S. will be releasing a new record in February of next year. It's already on my most anticipated albums of 2oo9 list. You can preorder it at Fifth Element online here.
Monday, November 24, 2008
Tons of Twin Cities Hip Hop News
Doomtree Blowout IV
First Avenue
December 6th, 2008
6pm $10/$12
In case you haven't heard, there's that whole Doomtree Blowout IV thing going down in a little under two weeks. Get your ticket now for your chance to pick up the first Doomtree DVD, filled with concert footage, music videos, and other random goodies from all 5 emcees 4 DJs. Included with the DVD is a 12 track brand spankin' new False Hopes (number 13!) of all new material featuring every member of Doomtree.
Dessa has also anounced, via her MySpace blog, that she will be releasing a little book of short fiction at the Blowout. If you can't make it to First Ave, both the DVD and Dessa's book will be made available on the Doomtree webstore.
Legendery Minneapolis duo and underground rap fire starters Atmosphere have announced that their second studio record, GodLovesUgly, will be getting a proper remastered rerelease on January 20th (8 days after yours truly leaves the country for a few months). The CD/2LP rerelease will include all the original tracks and will include a bonus DVD, orignally released as Sad Clown Bad Dub 4, containing footage from the GodLovesUgly release shows way back when. You can pre0rder the album at Fifth Element's online store now for a special reduced price.
"Get Up" (the video for first single from the upcoming album)
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Look for a big year from Brother Ali in 2009. In an interview with UWeekly.com, he talked about the upcoming Truth Is Here EP, featuring 10 brand new tracks written during the tours supporting 2007's The Undisputed Truth. It is paired with a DVD of Brother Ali performing in Minneapolis and will be released in spring of 2009.
He also claimed to have begun work on the as of yet untitled follow up to The Undisputed Truth, hoping for a fall of '09 release on the full length.
Read more of the interview here.
"Good Lord" (from the Truth Is Here EP)
Tuesday, October 28, 2008
TV on the Radio - Dear Science
TV on the Radio have been making experimental Afro-Jazz-Electro-Post-Punk-Rock since 2001, with four EPs and now four full lengths under their belts. The sound is urban, and that's the best way to describe it. Though the eight sets of recordings sound noticeably different, each could easily be the soundtrack to a cement stroll.
The album kicks off with "Halfway Home," the one track on the entire album that sounds like it could have been included on Cookie Mountain. It's as back to the roots as TV on the Radio can get, comprised of industrial beats under electronically distorted guitar riffs that eventually culminate into a danceable guitar solo with a hint of synth.
But if you want danceable, "Golden Age" is where it's at. The picked out rhythm over the cymbal heavy background shakes the body and soul together. As the first single from Dear Science, it embodies the change in sound from the melodrama and darkness that enveloped Cookie Mountain (check out the video at the end of the post).
That isn't to say Dear Science doesn't have its dark moments. The subtleties of "Stork and Owl" make it haunting. "DLZ" creeps into the head for completley different reasons. It's a tragic song, oozing in imagery of horrific accidents and the rejection of the perception that death is the end of things.
The album's second single is "Dancing Choose," a head banging, almost hip-hop track. It's reminiscent of jumping around in crowded clubs, loud but cheery music controlling every inch of your body. Like a religious revival for your musical soul, it absorbs into your mind in a way no TV on the Radio track has ever done before. And when the horns come in, be ready to lose your mind.
Long time fans of TV on the Radio may be initially shaken by the pressence of such upbeat tunes, but the musicianship and the effort we are used to from the band are still there. After a listen through the entire disc, Dear Science is the best and most accesible record by NYC's favorite genre benders.
"Golden Age"
Monday, October 27, 2008
Sunday, October 26, 2008
Tartufi at St. Olaf College
I showed up just as doors opened at the venue and was impressed right off the bat by the wide array of guitar pedals and drum equipment. Now, a lot of equipment can sometimes signal a really awful band who happen to have wealthy relatives who support their "artistic endeavors." Tartufi are not that band. Hailing from San Francisco, California, the band play a blend of electronic, rock and atmospheric music. The band consist of Lynne Angel on guitar, bass, vocals and pedals, and Brian Gorman on drums, bass, keyboards, pedals and about 800 other things.
Again, many toys can mean an unbearable noise so I was initially skeptical. That skepticism last all of two minutes. At the end of that two minutes I realized that Tartufi were there to play music, with a little noise thrown in for good measure. Angel and Gorman make the most complex music I've ever seen created live by only two human beings. They looped everything possible and continued to play over it, creating lush soundscapes that would instantly switch to heavy-as-hell, overdriven bass, tribal drum madness.
What most impressed me was the ability of both performers not only to loop the music, but to continue to play over it with one another. Looping is a difficult thing as it is, but two people looping different parts has the potential to be chaos. Angel and Gorman were consistantly on the same page, however, cueing one another with both looks and hand signals. That trust in your fellow performer, as well as that connection, was wonderful to watch.
The only thing that seemed to be lacking, in my mind, is more visual elements. Angel and Gorman were, as I said, wonderful to watch, but Tartufi's music screams to have multimedia elements added. Video elements or even dancers would be incredible. Tartufi's show, as it is, is so carnal and involved that adding more to it visually to create a complete sensory experience could give these two the push they need to be huge, especially with the Sigur Ros, Explosions in the Sky and Radiohead crowd.
For fans of Sigur Ros, First Communion Afterparty and Animal Collective.
Saturday, October 25, 2008
Romantica at St. Olaf College
Bridging the gap bands like The Wallflowers or Counting Crows and Ryan Adams (all of whom are much better than Romantica), Romantica are to the Minneapolis-St. Paul country scene what Quietdrive is to the Minneapolis-St. Paul pop-punk scene. Well loved and receiving more and more attention nationwide due to their very safe, straight-ahead songwriting sensibilities.
I arrived at the show a little late and, frankly, I don't think I missed too much. Romantica are good musicians and good songwriters, they're just redundant. Every song began to blend into the previous one with only the occasional tuning or "thank you" to break up a set of songs. Kyle has a good voice but he never quite explored his full range the way I was hoping. Every so often he would hit a higher note in a more "intense" moment of a song, but for the most part he stuck to a safe range. This wouldn't necessarily have been a bad thing if he had opened his eyes once in awhile during the songs. After the third song I grew tired of watching him emote over twangy guitars and a rather boring rhythm section.
The rest of the band didn't do much to interest me either. While Kyle is the attractive lead singer with an acoustic guitar, the lethar jacket-clad Luke Jacobs was the gritty bringer-of-twang, switching back and forth between electric guitar and pedal steel guitar. Rounding out the lineup was bassist James Orvis (a chubby bassist - imagine that), and Tony Zaccardi on drums. For the most part they stayed on their respective parts of the stage, going through the motions. Again, it wasn't that it was bad, it was that there seemed to be no live-show spontinaity.
The best moments came when Kyle explored the upper regions of his vocal range or when Jacobs was allowed to do something interesting on the guitar. However, the low point of the show came when Kyle announced, "This is is a Leonard Cohen song," just before launching into a cover of "Hallelujah." Considering that everyone and their little sister has covered the song, I hope that Romantica don't think that theirs is original (click the link - the song has "been recorded more than 170 times for release...").The song itself is beautiful and can be incredibly haunting. Unfortunately, Romantica did not pull it off.
Romantica had been talked up to me by a number of my friends but I found myself feeling rather let down. Perhaps it was simply this particular performance, though I have a hard time believeing that they could be animated at all. I can only hope that tomorrow's performance by California band Tartufi is more interesting.
Sunday, October 19, 2008
Internet Radjio
Here's a list of what I played this evening:
- "Hail! Minnesota" by the Mahtomedi High School Chamber Orchestra
- "Tell Me How A Man Gets Close to You" by Mark Mallman
- "Churches and Hospitals" by Small Towns Burn A Little Slower
- "Say Hey There" by Atmosphere
- "Coffee Ring pt. 2" by Andy Johnson (Check out this post to download this track!)
- "Frog and Toad" by the Bad Plus
- "Just Drums" by Tapes 'n Tapes
- "Veteran" by Dessa
- "Breakfast With My Shadow" by Cloud Cult
- "Fiddle Foot Jones" by A Night in the Box
- "7th Street Queen" feat. Craig Finn by Friends Like These
- "Hatchet" by Low
- "Jessica" by Mouthful of Bees
- "P.O.S is Ruining My Life" by P.O.S
- "> sexy" by Unicorn Basement
- "Hardland/Heartland" by the Plastic Constellations
- "Stars" by Kid Dakota
I probably won't put a set list up every week, but maybe I will. If you're really good. I would love it if you listened, however. That would be good for us both. Here's the link again: KSTO St. Olaf College Radio.
Saturday, October 18, 2008
Review: Against Me!, Ted Leo & the Pharmacists and Future of the Left
I had a chance to see Against Me! (AM!) play with Ted Leo & the Pharmacists (TL/Rx) and Future of the Left (a group featuring former members of mclusky and Jarcrew) at
Being an all ages show Future of the Left took the stage at about six-fifteen as people were still trickling in. I have to say, I was impressed by the show they put on, especially considering the early start time. Drummer Jack Egglestone attacked his drums with a look on his face that implied the drums had done him a deep, personal wrong. Bassist/vocalist Kelson Mathias and vocalist/guitarist/keyboardist Andy Falkous sweated enough to douse a fire. Their set ended with Mathias jumping from the four-foot high
What stood out to me the most was the heavy use of bass in their songs. Nearly every song used bass overdrive and Mathias played as if he were playing a guitar. Playing in this way gave a very melodic quality to the rhythm section and forces Falkous to use his typically melodic instruments to play basic rhythms.
Considering Ted Leo is nearly forty, he’s still rocking harder than a lot of people half his age. Still pissed off in his middle age, his songs speak of and with anger at the way things are while being surprisingly danceable. His set began with a short speech by two of the people preemptively arrested before the RNC (those arrestees have since been dubbed the RNC 8). TL/Rx recently released a fund-raiser EP called Rapid Response to raise money for the non-profit organization Democracy Now! that is helping with the legal fees of the RNC 8, and the
If you don’t know TL/Rx I urge you to check them out. They draw from a variety of styles including folk and reggae but can most accurately be described as a gritty indie band. Their most recent record, Living with the Living (2007), is the strongest of their releases, though Shake the Sheets (2004) is also great.
Against Me! has been one of my favorite groups for awhile now and this was my second time seeing them live. It has been my experience, and the experience of those I’ve talked to, that AM! rarely disappoint. They took the stage with little fanfare, which is appropriate, and launched immediately into the set.
This is the final tour AM! Are doing in support of their 2007 album, New Wave but we were treated to a set of songs covering most of their career. In fact, we didn’t even hear half of the tracks off of New Wave. Crowd pleasers like “Walking is Still Honest” and “Pints of Guinness Make You Strong” (both of which were sung a capella by the more boisterous of those in the audience before AM! even took the stage) were in abundance and Tom Gabel and the rest of the AM! crew seemed to be enjoying the evening as much as the audience.
The most entertaining moment of the night came when Gabel – who rarely, if ever, says anything more than “thank you” and “good night” to audiences – mercilessly called out someone in the audience for flicking off the band during the entirety of “Borne on the FM Waves of the Heart.”
“I think my favorite part about playing that last song,” Gabel said, “was the guy in the pink scarf who flicked me off during the entire song.” Gabel went on to say, “God forbid the lead singer have the audacity to write a song about how he fell in love with his wife.”
I’ve heard that after more touring abroad the band will head back into the studio to work on a follow up to New Wave. However, if you ever have a chance, be sure to catch these guys live – you won’t regret it. Same goes for TL/Rx and Future of the Left.
Saturday, October 11, 2008
Hyro Da Hero
With the Myspace generation taking control of the music scene, everyone with a page on the social networking site gets hundreds of adds from bands they've never heard of each year. For most of us, that problem is quickly solved with a simple delete (or an add for those who use the site as a gauge of their importance). Every once in a great while someone adds me with a name interesting enough for me to give them a listen. This was the case for Hyro Da Hero.
A full fledged member of the mixtape genereation, Hyro, from LA by way of Houston, manages to do it better than even Lil Wayne (who gets called out in one of Hyro's most popular tracks, "Punk Rocker"). He wraps over everything from Soulja Boy ("Punk Rocker") to Incubus ("Wish You Were Here") and Marilyn Manson ("Tainted Love"). Though he's a proficient rhymer, he obviously wants to distance himself from what he refers to as "Ringtone Rappers," aka the mainstreamers.
I'll be honest, I heard "Punk Rocker" and thought it was hilarious. But I dismissed it as that, some guy with a gimic trying to get some attention. Then I downloaded more of his stuff. After a couple listens he started to grow on me. In between the self glofication there are tracks with a message. "Glimpse into New America," which contains one of those samples I KNOW I know but can't place, is introspective and confronts America's tentativity towards electing a black president. (P.S. if you can name that song, I'll do what I can to send you a cookie.)
And the best part is, everything he's released so far is free. That's right, two whole mixtapes for a grand total of FREE. Download both the Gangsta Rock Mixtape as well as the Rock & Roll Gangsta Mixtape off of his iLike page here. Just do it. Seriously.